| 1. Akshat Ajay Sharma is an Indian film director known for the Bollywood film 'Haddi' in 2023. |
| 2. During college at Vellore Institute of Technology, he led technical and organizational roles in events like Robotics Premier League 2.0 and TOASTMASTER INTERNATIONAL. |
| 3. He served as Joint Secretary of the university's music department. |
| 4. In 2011, he started as a Programmer Analyst Trainee at Cognizant Technology Solutions, Chennai. |
| 5. In 2015, he directed the Telugu film 'SINGHAM123', which was successful in the industry. |
| 6. He worked as an assistant creative head at Telebuddies, producing the short film 'Padya Yatra: A Revolutionary Walk'. |
| 7. Akshat worked on post-production for the Hindi film 'Husband Material' and 'Lust Stories' in 2018. |
| 8. He has edited short films like 'Zindgani: A Story Untold' and 'Padya Yatra: A Revolutionary Walk'. |
| 9. Akshat began as an assistant director in 2014 and worked on films like 'The Brawler' and 'Lust Stories'. |
| 10. In 2019, he was the second unit director for 'Sacred Games' and 'AK vs AK' in 2020. |
| 11. He directs short films and music videos, with projects like 'Silence...' and 'Ab nahi hai ishq humko'. |
| 12. Akshat has written for various short films, including 'Major' and 'Haddi'. |
| 13. Apart from directing, he has acted in plays and is a writer and poet. |
| 14. He has written two books and his poetry has been published in various international journals. |
| 15. Akshat is a Creative Director at iCandy Films. |
| 16. He is the Co-Founder and Director at G.R. Wolf Productions, focused on documentaries and experimental films. |
| 17. His documentaries have premiered at international festivals. |
| 18. Akshat draws inspiration from poets like Rimbaud and Byron and enjoys performing his poetry. |
| 19. He has a passion for music and often writes about deep emotions. |
| 20. Akshat is fond of cats and enjoys sharing about them on social media. |
| 21. He occasionally shares moments of relaxation with a glass of whiskey on social platforms. |