Bio/Wiki
| Nationality | Indian |
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| Hometown | Amravati, Maharashtra |
| Religion | Hinduism |
| Zodiac sign | Scorpio |
| Death Cause | Age Related Illness |
Physical Stats & More
| Eye Color | Black |
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| Hair Color | Black |
Educational Qualification(s)
| Education |
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Personal Life
| Marital Status | Married |
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Relationships & More
| Husband | Sharad Dongre |
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| Children |
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Family
| Mother | Yamunatai Modak (Actress) |
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| Spouse | Sharad Dongre |
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Career
| Overview | Daya Dongre began showcasing her passion for performance at a young age, making her stage debut at six. She gained recognition on All India Radio during her adolescence for her classical and light music performances. After relocating to Pune for higher education, she received formal classical music training. Though she briefly attended the National School of Drama in Delhi, her marriage and family obligations interrupted her theater studies. |
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| Marathi Theatre | Throughout the 1970s, she became a prominent figure in Marathi theater, known for her roles in productions like 'Lekure Udand Jhali' and 'Khatyal Sasu Nathal Soon'. |
| Film and Television | Dongre gained significant attention for her roles in Marathi films, particularly 'Umbartha' (1981) and 'Navri Mile Navryala' (1984). Despite opportunities in Hindi cinema, she preferred to dedicate her career to Marathi cinema and theatre, maintaining a balanced presence in both for several decades. |
| Legacy | Daya Dongre passed away in 2025, leaving behind a rich legacy in the Marathi performing arts. |
Some Lesser Known Facts
| Showcased a passion for performance from a young age, debuting on stage at six years old with the song 'Khabardar Jar Taach Maruni'. | |
| Gained recognition for classical and light music performances on All India Radio during her teenage years. | |
| Relocated to Pune for higher education and received formal training in classical music under Nageshbuwa Khalekar. | |
| Briefly attended the National School of Drama in Delhi but had to discontinue due to marriage and family commitments. | |
| Became a familiar name in Marathi theatre during the 1970s with successful plays, establishing herself as a strong actress. | |
| Appeared in acclaimed Marathi films including 'Umbartha' and 'Navri Mile Navryala', contributing to her lasting legacy. | |
| Chose to focus on regional theatre and Marathi films despite receiving offers from Hindi cinema. |
