Bio/Wiki
| Biography | Béla Tarr was a renowned Hungarian filmmaker known for his unique cinematic style, characterized by long takes and a minimalist approach. His films often explore themes of existential struggle and the human condition, making significant contributions to the world of cinema. |
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Physical Stats & More
| Eye Color | Grey |
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| Hair Color | Grey |
Educational Qualification(s)
| Degree | A degree in Film Directing |
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| Institution | University of Theatre and Film Arts |
| Years Attended | 1977-1981 |
Relationships & More
| Marital Status | Married |
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| Marriage Date | 1978 |
| Wife | Ágnes Hranitzky |
Family
| Father | Béla Tarr (deceased) | ||||
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| Mother | Mari Tarr (theatre director) (deceased) | ||||
| Siblings |
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| Spouse | Ágnes Hranitzky | ||||
| Children |
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Career
| Debut Film | Családi tűzfészek (Family Nest) (1979) |
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| Last Film | A torinói ló (The Turin Horse) (2011) |
| Awards and Honors |
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| Notable Works |
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| Filmmaking Style | Tarr is celebrated for his long takes, often ranging from six to eleven minutes, employing slow, flowing camera movements that create a profound sense of the passage of time. |
Some Lesser Known Facts
| Béla Tarr was raised in an artistic family, with significant early influences from both parents. | |
| He showed political engagement from a young age, carrying Mao’s Little Red Book to school instead of traditional materials. | |
| His passion for film began at the age of 14 when he received an 8mm camera from his father. | |
| Despite facing political barriers to studying filmmaking, he persevered and started making amateur films. | |
| His film 'Sátántangó' took over seven years to complete and is known for its extraordinary length and depth. |




